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The Harlem Renaissance: A Brief History With Documents, by Jeffrey B. Ferguson
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The Harlem Renaissance -- the unprecedented artistic outpouring centered in 1920s and 1930s Harlem -- comes down to us today, says Jeffrey B. Ferguson, as a braiding of history, memory, and myth. To analyze the movement's contents and meaning, Ferguson presents its signature works and lesser known pieces in a framework that allows students to examine the issues its writers and artists faced. Political theorists and civil rights activists, as well as poets, artists, musicians, and novelists, explore the character of the so-called New Negro, the influence of African and Southern heritage, the implications of skin color and race and gender, and the question of whether black artistic expression should be directed toward the black freedom struggle. Ferguson's thought-provoking introduction provides the broad background for the Harlem Renaissance and a frank assessment of its significance. A glossary of key individuals and journals, document headnotes and annotations, a chronology, questions for consideration, and a selected bibliography help students understand the context of this artistic outpouring and investigate its themes.
- Sales Rank: #358046 in Books
- Published on: 2007-12-28
- Original language: English
- Number of items: 1
- Dimensions: 8.23" h x .26" w x 5.54" l, .51 pounds
- Binding: Paperback
- 224 pages
About the Author
JEFFREY B. FERGUSON (Ph.D., Harvard University) is Assistant Professor of Black Studies and American Studies at Amherst College in Massachusetts, where he teaches a course in the Harlem Renaissance. He is the author of The Sage of Sugar Hill: George S. Schuyler, Satire, and the Harlem Renaissance (2005). His 1998 dissertation on the African American journalist George S. Schuyler was awarded the Helen Choate Bell Prize. He has been a fellow at the W.E.B. Du Bois Institute.
Most helpful customer reviews
17 of 17 people found the following review helpful.
Too many errors
By Darkest America
While the selection of documents is solid, the introduction is full of mistakes. Grimke's Rachel was not "the first play in the United States to feature an all-black cast"--there were plenty of nineteenth-century plays with all-black casts, especially those of the Hyers sisters. The music for Shuffle Along was written by Eubie Blake, not Hubie Blake. Ferguson lists among the attendees at the famous Civic Club dinner in New York on March 21, 1924, Langston Hughes, who "read from [his] poetry," and who was actually in Paris, and Zora Neale Hurston, who was in Washington (neither of them attended). He writes that Hurston saw "black folk culture as a product of invention and art rather than of instincts and proclivities," but the opposite is true--see her famous essay "Characteristics of Negro Expression." It's astonishing that a man who teaches a course in the Harlem Renaissance at Amherst College can be so careless about its history.
0 of 0 people found the following review helpful.
SUPERB!
By mrs.peapod
If you thought the Roaring Twenties were just about dancing white people, think again. This book gives us a vision into the African-
American culture in Harlem that seems has often been neglected in studies of the time period. The book was definitely an eye-opener for me and I was glad to better understand the lives of those different from myself from a very detailed and careful analysis of the Harlem Renaissance. The contrast of the African-American culture in the * cities * compared to that same culture in * rural * areas is stark. But you won't see just how different lives in distinctly different areas of the country can be until you read this book. Excellent!
1 of 2 people found the following review helpful.
A valuable basic resource.
By sandyseattle
This introductory text includes a comprehensive (albeit dense) introduction, a concise timeline, and excerpts from many seminal documents. Bravo, Ferguson.
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