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W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois's sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history.
The Dark Princess is a story of magical love and radical politics, a romance facing obstacles in a white-dominated world. Du Bois's allegorical tale follows Mathew Townes from his political disillusionment to his association with a powerful and seductive revolutionary leader, Kautilya, the princess of the Tibetan Kingdom of Bwodpur. With Dark Princess, Du Bois explores the color line from a fantastical angle while inserting his signature sociological style. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by Homi Bhahba, this edition is essential for anyone interested in African American history.
- Sales Rank: #3074124 in Books
- Published on: 2007-03-15
- Original language: English
- Number of items: 1
- Dimensions: 6.30" h x .60" w x 9.40" l, 1.20 pounds
- Binding: Hardcover
- 274 pages
Review
"This set represents an invaluable assembly of the works of the pioneering African American scholar, activist, and creative genius....The introductions to the individual volumes are written by such distinguished scholars as to make those writings indispensable treasures in their own right. Recommended for all public libraries and essential for every academic institution."--Library Journal (starred review)
"This set is a valuable contribution to African-American scholarship. It has the potential to introduce a new readership to the scope and breadth of a unique and seminal thinker. The works included can provide a more comprehensive understanding of the issues now facing contemporary Americans....[A] breathtaking collection."--School Library Journal
"The general introduction and the introductions to each of Du Bois's works form a valuable opus in their own right, as they convey the author's political and social theories and indicate the richness and development of his ideas....The realities of slavery, racism, and segregation in the United States are always at the forefront, making these works (many of them out-of-print) continually pertinent and forceful reading....This set will be an essential addition to public and college libraries."--Reference and Research Book News
"This set will be vital to all large university libraries with collections in African American history and American literature."--American Reference Books Annual
From the Inside Flap
The remarkably complex romance in which Du Bois confronted the twentieth century world that had closed itself to people of color
From the Back Cover
The problem of "the color line", W. E. B. Du Bois's ever-present polemical theme, is at the core of this novel of sensual love, radical politics, and the quest for racial justice. Originally published in 1928, Dark Princess has a fantastical storyline, heavy with propagandist overtones. Du Bois depicts 1920s America as a racist nation primed for radical protest and terrorism. Matthew Townes, the protagonist, is a medical student expelled because his race bars him from the required course in obstetrics in a white hospital. Self-exiled in Berlin after his political idealism is corrupted, Townes falls in love with Princess Kautilya, daughter of a maharajah, and joins her international team in which people of color unite against white imperialism.
Most helpful customer reviews
2 of 2 people found the following review helpful.
Romantic story robustly written by a genius.
By Francis G. Hutchins
This is a grand metaphorical romp by the great DuBois. A fascinating grand synthesis in the form of a parable. Over the top in a great way.
1 of 1 people found the following review helpful.
Five Stars
By aleysha
Absolutely extraordinary!
4 of 4 people found the following review helpful.
Dubois: Dark Princess
By Kaneasha Shackelford
With the emergence of what has come to be known as modernity, no one writing of Du Bois, especially his earlier writings, can claim his mastery of economic, religious and political disciplines, making him incomparable to any scholar as it relates to understanding black religion and its messianic calling. His approach to Dark Princess is an extreme example: it interweaves social thought, black and Indian political theory, capitalist hybridization, biblical theology, post slavery studies and a pastiche of Eastern religion. Arnold Rampersand provides a similar acknowledgement of the interdisciplinary work of Dark Princess citing it as a "queer combination of outright propaganda and Arabian tale, of social realism, and quaint romance." Published in 1928, Du Bois, in his self proclaimed most favorite literary work, Dark Princess, unfolds the impact of the protracted violence of Euro-American modernity upon Pan Asian and Pan African people.
According to Bill Mullen, throughout his extensive career, W.E.B. Du Bois' stance for Asian nationalism is often overlooked and undervalued, even though it is essential to understanding his philosophy of politics, economy and religion. In 1904, Du Bois advocated Asia's war with Russia and completed a second trip to China in 1959. Mullen states, in his article entitled Afro-Asia Internationalism, Asia was for Du Bois, "a literal and figurative site of his intellectual evolution from "Fabian socialist" to "revolutionary Marxist." Because of his affiliations with Japan, India and China, Pan-Asian affairs merged into his work as a black intellectual and his vision of unification between dark bodies affected by the U.S. "color line" and dark bodies internationally affected by the international "color line. " For Du Bois, Asian and African peoples both were fighting to get out of the international strongholds of European colonialism.
Du Bois use of Kautilya's name has historical and political implications that are severe. In Roger Boesche's article, "Kautilya's Arthasastra on War and Diplomacy in Ancient India," he notes that, Kautilya was the key adviser to the Indian king Chandragupta Maurya (c. 317-293 B.C.E.), which strikingly is one of the names given to Matthew's and Kautilya's son in the conclusion of Dark Princess. Chandragupta was the first king to unite the Indian subcontinent in empire. Around 300 BCE, Kautilya wrote the Arthasastra which was a "science of politics intended to teach a wise king how to govern ." Boesche notes, "Kautilya offers wide-ranging and truly fascinating discussions on war and diplomacy, including his wish to have his king become a world conqueror." Moreover, Kautilya's Artharshatra gives an "analysis of which kingdoms are natural allies and which are inevitable enemies, his willingness to make treaties he knew he would break, his doctrine of silent war or a war of assassination against an unsuspecting king, his approval of secret agents who killed enemy leaders and sowed discord among them."
Throughout Dark Princess, we see Du Bois employ several of these political moves through Princess Kautilya, her entourage and allies, and especially in the character of Perigua. However, interestingly enough there is something that Princess Kautilya, an eastern representative of political and religious ideals, needs in order to fulfill her destiny against European colonialism. For Du Bois, it is imperative that Princess Kautilya understands the black American experience and most importantly the messianic calling of blacks and black Christianity. Du Bois, through Princess Kautilya, an Eastern figure, captures perhaps the inadequacy of her Eastern political power as it relates to overcoming oppression, in comparison to a group of Western dark people, blacks in America, who follow Christ. Again, for Du Bois, Asian and African peoples both were fighting to get out of the international strongholds of European colonialism. And we know Christianity's ties to colonialism, and moreover, the connection between colonialism and racism. Thus, Du Bois' debates are also undergirded and shaped against the religious thought of European Christianity, and its theological error upon Africa, Asia and America. It almost poses the question, what powerful influence, for Du Bois, does black Christianity have on political systems of the world?
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